All entries by this author

‘Rendez-vous’ with La Danserie

April 27, 2010 | By Anna Reed | Category: Theater and Dance

LA-based choreographic collective, La Danserie, gathered talented artists – emerging, established, aspiring and professional – for Rendez-vous, an inspiring afternoon of dance at Cal State Northridge’s Plaza del Sol Performance Hall on April 25. The program reflected La Danserie’s 13-year mission to create new contemporary ballet for a broad audience and celebrated the creative community [...]



Dance Review: John Jasperse Company at REDCAT

April 16, 2010 | By Anna Reed | Category: Theater and Dance

Based on John Jasperse’s track record of innovation and influence in contemporary dance, and based on the title of his latest work, Truth, Revised Histories, Wishful Thinking, and Flat-out Lies, I expected great things of the West Coast premiere at REDCAT on April 14. Truth purports to address the processes and results of belief by [...]



Review: Hubbard Street at the Music Center

April 10, 2010 | By Anna Reed | Category: Featured Articles, Theater and Dance

Hubbard Street Dance Chicago delighted audience members last night (April 9) at the Music Center’s Ahmanson Theatre, and based on recent statements by the company’s new artistic director, Glenn Edgerton, this three-day run may be a sign of good things to come for LA dance fans. Before accepting his current position in Chicago, Edgerton directed [...]



Celebrate Dance at Alex Theatre

March 9, 2010 | By Anna Reed | Category: Theater and Dance

Celebrate Dance returns to the Alex Theatre in Glendale for its fifth-anniversary show this Saturday, March 13, at 8 p.m. The festival celebrates the vibrance and diversity of our local dance community by showcasing nine Southland companies in a single evening of performance that received the Lester Horton Award for Outstanding Achievement for a [...]



Dance Review: ‘Bricklayers’ in Santa Monica

March 9, 2010 | By Anna Reed | Category: Theater and Dance

When Trisha Brown and her fellow dance rebels of the 1960s and ’70s began using movement “scores” – directions that require performers to solve problems in the moment of performance – in lieu of “set” choreography, the shift was both aesthetic and political. By redistributing the choreographer’s power of artistic decision to the dancers, scores [...]



Alberta Ballet Performs Joni Mitchell’s ‘The Fiddle and the Drum’

February 26, 2010 | By Anna Reed | Category: Theater and Dance

A man steps forward into bright light, and we are confronted with his flesh – tinted the sickly green of camouflage or radioactive glow. Joni Mitchell’s voice rings out a mournful melody: “And so once again … My dear Johnny my dear friend … And so once again you are fightin’ us all….” Dancers emerge [...]