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	<title>Comments for Culture Spot LA</title>
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	<link>http://culturespotla.com</link>
	<description>A Selective Guide to the Arts in Los Angeles</description>
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		<title>Comment on Review: Rattlestick Playwrights Theater&#8217;s &#8216;Slipping&#8217; by Charlene</title>
		<link>http://culturespotla.com/2013/04/review-rattlestick-playwrights-theaters-slipping/comment-page-1/#comment-6879</link>
		<dc:creator>Charlene</dc:creator>
		<pubDate>Fri, 03 May 2013 20:17:12 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5855#comment-6879</guid>
		<description>This is the last weekend for the LA run of Slipping!  Get your tickets before they are gone at: http://www.brownpapertickets.com/event/335220</description>
		<content:encoded><![CDATA[<p>This is the last weekend for the LA run of Slipping!  Get your tickets before they are gone at: <a href="http://www.brownpapertickets.com/event/335220" rel="nofollow">http://www.brownpapertickets.com/event/335220</a></p>
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		<title>Comment on Review:  ‘Tribute to Miles’ at Walt Disney Concert Hall by joan helm</title>
		<link>http://culturespotla.com/2013/04/review-tribute-to-miles-at-walt-disney-concert-hall/comment-page-1/#comment-6712</link>
		<dc:creator>joan helm</dc:creator>
		<pubDate>Tue, 30 Apr 2013 02:28:07 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5917#comment-6712</guid>
		<description>your words made the experience real for me...thank you~</description>
		<content:encoded><![CDATA[<p>your words made the experience real for me&#8230;thank you~</p>
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		<title>Comment on ‘Proof’ at the Hayworth Theatre by ‘Proof’ at the Hayworth Theatre starring Daniela Ruah &#8211; Reviews &#171; Daniela Ruah Fans</title>
		<link>http://culturespotla.com/2013/04/proof-at-the-hayworth-theatre/comment-page-1/#comment-6538</link>
		<dc:creator>‘Proof’ at the Hayworth Theatre starring Daniela Ruah &#8211; Reviews &#171; Daniela Ruah Fans</dc:creator>
		<pubDate>Thu, 25 Apr 2013 00:36:24 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5905#comment-6538</guid>
		<description>[...] READ MORE [...]</description>
		<content:encoded><![CDATA[<p>[...] READ MORE [...]</p>
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		<title>Comment on Review: Yuja Wang at Disney Hall by terry baer</title>
		<link>http://culturespotla.com/2013/03/review-yuja-wang-at-disney-hall/comment-page-1/#comment-5914</link>
		<dc:creator>terry baer</dc:creator>
		<pubDate>Sat, 13 Apr 2013 14:58:09 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5735#comment-5914</guid>
		<description>ms wang is a human solar flare...she has rewritten the rules and changed the whole &quot;ball game&quot;...for two hundred years the modern piano has been waiting for someone, and now the wait is over...she is that someone.  i told her this in person last week in chicago after she spun prokofiev in his grave with her astonishing performances of the third piano concerto.  the visual dimension of her playing is equal to the heretofore unheard sound she creates. i have heard them all, including kapell. she is the greatest...pure and simple...no two ways about it...period.</description>
		<content:encoded><![CDATA[<p>ms wang is a human solar flare&#8230;she has rewritten the rules and changed the whole &#8220;ball game&#8221;&#8230;for two hundred years the modern piano has been waiting for someone, and now the wait is over&#8230;she is that someone.  i told her this in person last week in chicago after she spun prokofiev in his grave with her astonishing performances of the third piano concerto.  the visual dimension of her playing is equal to the heretofore unheard sound she creates. i have heard them all, including kapell. she is the greatest&#8230;pure and simple&#8230;no two ways about it&#8230;period.</p>
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		<title>Comment on Review: ‘The Flying Dutchman’ at LA Opera by .Norma</title>
		<link>http://culturespotla.com/2013/03/review-the-flying-dutchman-at-la-opera/comment-page-1/#comment-5433</link>
		<dc:creator>.Norma</dc:creator>
		<pubDate>Wed, 13 Mar 2013 01:12:13 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5684#comment-5433</guid>
		<description>Great review!!</description>
		<content:encoded><![CDATA[<p>Great review!!</p>
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		<title>Comment on “Fallen Angels” at the Pasadena Playhouse by FALLEN ANGELS (PASADENA PLAYHOUSE): 100% &#8211; SWEET : LA Bitter Lemons</title>
		<link>http://culturespotla.com/2013/02/fallen-angels-at-the-pasadena-playhouse/comment-page-1/#comment-5112</link>
		<dc:creator>FALLEN ANGELS (PASADENA PLAYHOUSE): 100% &#8211; SWEET : LA Bitter Lemons</dc:creator>
		<pubDate>Wed, 06 Feb 2013 00:01:47 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5524#comment-5112</guid>
		<description>[...] SWEET Director Art Manke, a veteran of six Coward shows, keeps his talented cast of six smoothly paced through the traditionally wordy Coward prose, hysterical physical pratfalls and paper-thin cover-ups. Gil Kaan &#8211; Culture Spot LA [...]</description>
		<content:encoded><![CDATA[<p>[...] SWEET Director Art Manke, a veteran of six Coward shows, keeps his talented cast of six smoothly paced through the traditionally wordy Coward prose, hysterical physical pratfalls and paper-thin cover-ups. Gil Kaan &#8211; Culture Spot LA [...]</p>
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		<title>Comment on “Fallen Angels” at the Pasadena Playhouse by “Fallen Angels” at the Pasadena Playhouse &#8211; CultureSpotLA.com &#171; Pasadena Playhouse</title>
		<link>http://culturespotla.com/2013/02/fallen-angels-at-the-pasadena-playhouse/comment-page-1/#comment-5111</link>
		<dc:creator>“Fallen Angels” at the Pasadena Playhouse &#8211; CultureSpotLA.com &#171; Pasadena Playhouse</dc:creator>
		<pubDate>Tue, 05 Feb 2013 22:08:00 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5524#comment-5111</guid>
		<description>[...] Read Full Review  [...]</description>
		<content:encoded><![CDATA[<p>[...] Read Full Review  [...]</p>
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		<title>Comment on Review: Gianandrea Noseda and Lise de la Salle Perform Rachmaninoff by .Norma</title>
		<link>http://culturespotla.com/2013/02/review-gianandrea-noseda-and-lise-de-la-salle-perform-rachmaninoff/comment-page-1/#comment-5110</link>
		<dc:creator>.Norma</dc:creator>
		<pubDate>Tue, 05 Feb 2013 17:28:14 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5514#comment-5110</guid>
		<description>I love reading all the LA Phil reviews....can&#039;t wait to know about the concerts and soloists.</description>
		<content:encoded><![CDATA[<p>I love reading all the LA Phil reviews&#8230;.can&#8217;t wait to know about the concerts and soloists.</p>
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		<title>Comment on Review: Cirque du Soleil’s ‘Iris’ by Gary</title>
		<link>http://culturespotla.com/2011/09/review-cirque-du-soleil%e2%80%99s-%e2%80%98iris%e2%80%99/comment-page-1/#comment-4824</link>
		<dc:creator>Gary</dc:creator>
		<pubDate>Sat, 22 Dec 2012 11:02:49 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=3689#comment-4824</guid>
		<description>I just came back from seeing &#039;Iris&#039; and I am in no way suprised that the show is closing. I have seen many Cirque shows from the great (O, Mystere, Ka etc) to the bad (Viva Elvis, Believe etc) and unlike O or KA where the budget is visible from the moment the show begins...I am at a loss to see where the $100 - $130 million price tag (depending on what you beleive) was spent.

The show feels like (so many of Cirques show&#039;s since the departure of Franco Dragone)  a poor mans version of Cirque, like a poor facsimile...as if someone is given the brief to create a show like Cirque, like ANOTHER cirque show, rather than creating something fresh and new.

The show at best feels like mish mash of Viva Elvis (even lifting one of the acts almost directly from it) and Zumanity (cheeky characters with occasional sexual inuendo and drag)...the show feels small and inconsistent, vascilating from what seems like almost improv skits in front of the curtain to bombarding the audiance with a mass of activity that leaves you reeling trying to see everything that is going on and simply unable to.

On the plus side the physical acrobatics are flawless and mesmerizing - the aerialsists, contortionists and trapeze acrobats etc are wonderful but there was nothing new to see here...no one had challenged these amazing artists to create something &#039;outside of the box&#039;, there was no spectace here...nothing to drop the jaws of the audience, ensuring they would be talking about that &#039;one act&#039; at the office water cooler the next day, urging friends to go see and probably ensuring the &#039;life&#039; of &#039;Iris&#039; for a lot longer.

IF Cirque is to continue...they are going to have to change, regurgitating the same formula will not cut it, what made them so unique and original has become dry and passe. I understand its easy to sit here and say this, that they are a multi million dollar making organization so OBVIOUSLY they know what they are doing right?, maybe, after all I am just a humble film professional and a patron...but I would suggest that the &#039;fire&#039; they had all those years ago, that &#039;fire within&#039;  that challenged them to come up with something SO different and SO groundbreaking HAS to be re-ignited!...I hope it can so I can feel that exhileration once again, like winessing a mesmerizing, flambouyant, mystical show that was set on, in, under and above water, that wowed you, that made you walk out and practically go straight to the box office to book another ticket!</description>
		<content:encoded><![CDATA[<p>I just came back from seeing &#8216;Iris&#8217; and I am in no way suprised that the show is closing. I have seen many Cirque shows from the great (O, Mystere, Ka etc) to the bad (Viva Elvis, Believe etc) and unlike O or KA where the budget is visible from the moment the show begins&#8230;I am at a loss to see where the $100 &#8211; $130 million price tag (depending on what you beleive) was spent.</p>
<p>The show feels like (so many of Cirques show&#8217;s since the departure of Franco Dragone)  a poor mans version of Cirque, like a poor facsimile&#8230;as if someone is given the brief to create a show like Cirque, like ANOTHER cirque show, rather than creating something fresh and new.</p>
<p>The show at best feels like mish mash of Viva Elvis (even lifting one of the acts almost directly from it) and Zumanity (cheeky characters with occasional sexual inuendo and drag)&#8230;the show feels small and inconsistent, vascilating from what seems like almost improv skits in front of the curtain to bombarding the audiance with a mass of activity that leaves you reeling trying to see everything that is going on and simply unable to.</p>
<p>On the plus side the physical acrobatics are flawless and mesmerizing &#8211; the aerialsists, contortionists and trapeze acrobats etc are wonderful but there was nothing new to see here&#8230;no one had challenged these amazing artists to create something &#8216;outside of the box&#8217;, there was no spectace here&#8230;nothing to drop the jaws of the audience, ensuring they would be talking about that &#8216;one act&#8217; at the office water cooler the next day, urging friends to go see and probably ensuring the &#8216;life&#8217; of &#8216;Iris&#8217; for a lot longer.</p>
<p>IF Cirque is to continue&#8230;they are going to have to change, regurgitating the same formula will not cut it, what made them so unique and original has become dry and passe. I understand its easy to sit here and say this, that they are a multi million dollar making organization so OBVIOUSLY they know what they are doing right?, maybe, after all I am just a humble film professional and a patron&#8230;but I would suggest that the &#8216;fire&#8217; they had all those years ago, that &#8216;fire within&#8217;  that challenged them to come up with something SO different and SO groundbreaking HAS to be re-ignited!&#8230;I hope it can so I can feel that exhileration once again, like winessing a mesmerizing, flambouyant, mystical show that was set on, in, under and above water, that wowed you, that made you walk out and practically go straight to the box office to book another ticket!</p>
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		<title>Comment on Shakespeare’s Globe Theatre Presents Hamlet at the Broad Stage by HAMLET (BROAD STAGE): 100% &#8211; SWEET : LA Bitter Lemons</title>
		<link>http://culturespotla.com/2012/11/shakespeares-globe-theatre-presents-hamlet-at-the-broad-stage/comment-page-1/#comment-4498</link>
		<dc:creator>HAMLET (BROAD STAGE): 100% &#8211; SWEET : LA Bitter Lemons</dc:creator>
		<pubDate>Sun, 25 Nov 2012 23:56:49 +0000</pubDate>
		<guid isPermaLink="false">http://culturespotla.com/?p=5352#comment-4498</guid>
		<description>[...] SWEET All of the outstanding elements of a Shakespeare’s Globe Theatre production — the acting, text interpretation, music and energy — blast forth from a minimalist set and nondescript costuming in this “Hamlet.” Julie Riggott &#8211; CultureSpotLA [...]</description>
		<content:encoded><![CDATA[<p>[...] SWEET All of the outstanding elements of a Shakespeare’s Globe Theatre production — the acting, text interpretation, music and energy — blast forth from a minimalist set and nondescript costuming in this “Hamlet.” Julie Riggott &#8211; CultureSpotLA [...]</p>
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