With John Corigliano’s “The Ghosts of Versailles,” LA Opera delivers a spectacle of epic proportions. The giant pink...
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Review: Blomstedt and Goode Perform Mozart and Bruckner
In a concert on Jan. 31 titled “Late Masterworks by Mozart and Bruckner,” Herbert Blomstedt led the LA Phil in two...
Review: ‘Reborning’ Gets LA Premiere at Fountain Theatre
The chance to immerse oneself into a strange new world comes with some frequency in cinema, where filmmakers can and...
Two New Scarlatti Discs From Igor Kamenz and Orion Weiss
The keyboard sonatas of Domenico Scarlatti have undergone somewhat of a revival as of late, with multiple artists...
Review: Esa-Pekka Salonen’s Heroic ‘Eroica’ With the LA Phil
They say that you can never go home again, but 30 years after his U.S. conducting debut with the Los Angeles...
Last Chance for LACO à la carte
For a transcendent musical evening, don’t miss Los Angeles Chamber Orchestra’s final installment in its “LACO à la...
DVD Review: Marina Yakhlakova Plays Schubert and Liszt
The differences between the music of Schubert and Liszt may perhaps be best encapsulated in these composers’ preferred...
Vox Lumiere’s ‘The Phantom of the Opera’
Kevin Saunders Hayes, a composer and songwriter, came up with the idea for Vox Lumiere nearly 15 years ago when he...
Review: Pacific Opera Project Presents ‘Tosca’
Pacific Opera Project, known for their “POP-up” operas that take place in diverse spaces around town, has just popped...