It’s clear who the real monster is in Nick Dear’s “Frankenstein.” Hint: It’s not the guy stitched together with dead...
Women Rising: Dance at The Ford
Commemorating the centennial of Congress’ passing of the U.S. Constitution’s 19th Amendment, nine LA-based female...
REDCAT’s NOW Festival
The 16th annual New Original Works Festival at REDCAT is in full swing. Described as a laboratory for cutting-edge...
Free Tickets to ‘Bad Hamlet’
Coin & Ghost, LA’s theatrical home for remixed mythologies, will present its latest World premiere, “Bad Hamlet,”...
Rennie Harris Funkedified @ the FORD
Bringing hip-hop from the streets of Philadelphia to international stages and academic towers, Rennie Harris brings...
Review: Royal Ballet, Company Wayne McGregor and Thomas Adès at the Music Center
London’s Royal Ballet culminated its two-week residency at the Dorothy Chandler Pavilion with an explosive program of...
Review: ‘Mysterious Circumstances’ at the Geffen Playhouse
David Grann, a journalist who writes nonfiction that reads like fiction, has written compelling books about a British...
The Royal Ballet at The Music Center with Thomas Adès and Company Wayne McGregor
After a 24-year absence from Los Angeles, Great Britain’s most prestigious ballet company, The Royal Ballet, returns...
Sigrid Gilmer’s ‘Mama Metal’ from IAMA Theatre Company at Atwater Village Theatre
Sigrid Gilmer’s “Mama Metal” is a surreal take on the “mama drama,” the two most famous of which, Eugene O’Neill’s...