The recent recording of two 19th-century cello concertos — the Cello Concerto in B minor, Op. 104 by Antonín Dvořák...
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Dance Review: Lil Buck in ‘What Moves You’ at the Broad Stage
A few years back, a Memphis, Tenn., youngster named Charles Riley picked up on the street dance craze exploding...
Review: ‘The Superhero and His Charming Wife’ from Not Man Apart at Highways Performance Space
You never know what you’re going to find at the myriad of “99 seat” theaters in Los Angeles. On any given weekend...
Review: Edo de Waart Conducts the LA Phil With Behzod Abduraimov
On Sunday, the Dutch conductor Edo de Waart conducted the LA Phil in three works, The Chairman Dances by John Adams,...
Review: Pacific Opera Project’s ‘Salieri vs. Mozart’
Those familiar with the Oscar-winning film Amadeus will remember the beginning where aging composer Antonio Salieri...
Review: LA Opera’s ‘Madame Butterfly’
Watching virtually any production of Madame Butterfly outside of high school productions requires some suspension of...
Review: Pacific Opera Project’s ‘The Merry Widow’ at the Ebell Club of Highland Park
Can a two-horse mining town in the Old West peopled with provincial rubes stand in for the rarified world of Parisian...
Review: Yundi Plays an All-Chopin Program at Disney Hall
Yundi, formerly known as Yundi Li, propelled to stardom in 2000 after being the youngest (and the first Chinese)...
Review: ‘Tempest Redux’ at Odyssey Theatre
It is said that Shakespeare’s The Tempest is one of the most adaptable of the Bard’s works. Indeed, some 46 operas...